Parrot and Voruz cannons ready to go

Went to the workshop to check on Alejandro's progress with the cannons. I am very pleased and happy with the results. They are done beautifully. The size and finishing is quite great and will look awesome and dominant onscreen which is the primal purpose.

Just a few things to take care of here and there for the Voruz's base to resemble the real one and it's good to go. Didn't order the Parrot cannon's base for I already made it back in June 2011 when making myself the 250 lbs Vavasseur. Was going to make a Parrot also but because of time constrains and the blacksmith's attitude I just made it's base only. Now, both versions will have to match to make an awesome Parrot cannon.

I am quite happy to know Alejandro. Such a great humble guy and very bright with solutions instead of problems. Proactive is the word and I like that. Even though it is the first time he has done a model this big - as he says- the results are good. It was a great experience making myself the huge Vavasseur back in June last year
( http://www.juancarlosoganes.net/2011/06/vavasseur-cannon-almost-done-parrot.html )
but it took a lot of my time to monitor and help the blacksmith's progress all along in order to finish in time for the filming schedule we had back in those months (those guys, if not under pressure, begin to stall you and they don't respect deadlines). The Vavasseur was finished awesomely anyway. If I knew Alejandro back then I'm sure I'd have delegated the job to him so I could concentrate on other production stuff. It would have ended in good hands too but without the hassle. Anyway...either way all is well that ends well. :)

Now, letting him go back to finish the three big battleship miniatures I commissioned for the film.

Checking measurements to match real proportions.

The weigh is good for balance.

The texture is ready for some "dirtying" in order to look aged.

The "Ciudadela" cannon trenches

These days have been of exhausting labor: building trenches and sandbags under this hot sun that still doesn't go away (even though it's bothersome sometimes I still need it for continuity reasons) and burns like crazy.

Meanwhile, at the workshop, the Parrot and Voruz cannons are being finished to the very last details. Will post more pics soon. Here below it's just one from Alejandro's camera at the workshop.

The 150 lbs Parrot cannon.

Glad it's all progressing along well. After doing hard labor for the film for almost a year and a half it is quite tiresome now, but glad to know these are practically the final scenes that require this type of work under the sun. Others will be in a more controlled environment. The Police is helping along and the guys are good.

Glad to have a good working crew team. Bless their hearts.

Bought some old wood for the trench's floor.

 

Testing camera angles with my crane.

Shoveling.

Ale and Cesar. Good crew team at work.

The best friend there is.

Trench view at night from the front.

Finishing at night.

Building progress

Taking measurements of a real Voruz 68 lb cannon at the Navy School in Callao.
Also checked the progress of the Cochrane battleship and the Parrot cannon making. It is rigid and sturdy, very needed when handling it around during filming.

Again....so far, so good. Just imagining in my head how it will end looking like.

And also, once again I say to all people who are used to see replicas of ships and guns or uniforms for museums: In film it is not what is good but what LOOKS good for the camera.

The pillboxes.

Stairs for the commander bridge.

Cochrane from the front

A cannon

How the body of the Parrot will form its shape.

With Alejandro checking the Parrot structure.

68 lbs Voruz cannon.

Taking measurements.

Parrot - Voruz cannons and battleship in the works / New trench location

Early today we all started work: one team went up to the morro again to undo all the sandbags and bring them to the new location while I visited Alejandro's workshop and checked on the battleship miniature building process (well...not so miniature after all for this first one is 1.70 meters long. The next longest one -the Manco Capac- will be 1.90 meters long). So far, so good. The one half-way there as of now is the Cochrane. The chimney, poles and cannons were there and some parts still missing but I can see it coming together fine. The Parrot cannon parts are almost ready to be put together and commissioned for another Voruz 70 lbs one. Will be ready by Easter weekend and ready to be taken to Ancon for assembly. It is a relieve in a way to have another do this new cannons. Back in June/July last year when I was making the Vavasseur, the thrill of seeing it all coming together was such a great feeling, like watching your baby being born, but it takes a lot of precious time that needs to be devoted to other production and administrative tasks. This time I had to delegate the job but I'm glad it's in good hands.

Then we all met at Puente Piedra's desert mountains to check the chosen location. Explaining how the trenches and cannon positions are gonna be. The abandoned trench found was used for some kind of firing practice area and now it's all full with debris, garbage and waste. Some walls need repair in order for them to be almost 90 degress straight. The only problem is that it's kinda deep (a little more than 2 meters while 1 meter is all we need) so some filling and shoveling needs to be done all along the 20 meter long trench. The soil is rocky and full of hard surfaces showing that a few days of hard work are ahead. Seems like Easter isn't gonna be so relaxed after all.

Sandbags and rock filling will be used to make a natural "bed" for the Parrot and Voruz cannons to raise it a meter above ground level, otherwise it won't work.

At the mountain behind it there's a huge logo made with white painted rocks so I need to be careful with camera framing. I'm sure so digital replacement will have to be done to erase it.

Cochrane in the works.

Checking the cannon pillboxes from the other side.

The back of the 150 lb Parrot cannon.

The cannon trench.

Explaining the artillery moves.

The trench walls are fragile so some work needs to be done on them.

I'm glad to have a great team of people.

Music score getting in shape

It's been a few months since I got together with Fernando to check on the music score for the film. Progress on it is quite fine and when he plays it I try to imagine it being played with the full instrumentation and matching certain scenes already filmed and the ones soon to be.

All is coming together. Slowly coming together. Can't wait to have it all fully orchestrated. If all goes fine, it's just a matter of a few months until recording sessions begin. That is going to be quite a thrill. :)

Getting things ready for new scenes north of Lima

Having to wait a few more days to start filming is what's happening now. Time is needed for us to build and set up all scenography like pillboxes, ammunition stacking and tents on site in the deserts north of Lima. This time to film other angles of the Este and Ciudadela fortress' attack and its powder/ammo explosion scene together with the Alto del Alianza battle scenes.

These days have been mostly running around checking the locations for proper set up and budgeting building and production costs for all these. Thank God we have places close by for food and shelter. The last thing I want to have is 500 + people feeling so uneasy under the dehydrating sun and dry desert.

Now, so far, these things are on the way:  battlefield props and set up in Ancon / Puente Piedra, 3 big miniature models of the Cochrane, Manco Capac and Covadonga battleships, 150 lb Parrot cannon building and the "Ciudadela" ammo explosion.

Some Alto del Alianza scenes already shot on June last year.

Ancon desert: Landscape just like the Alto del Alianza in Tacna.

We have these two weeks to do most of it and start next month filming sessions.
Seems like enough time but actually we are running pretty fast out of time.

The Gattling gun is very heavy.

Dangerous moves coming down from the Morro Solar.

Getting Krupp cannons into the truck.

Puente Piedra deserts. Here we will set up the fortresses again.

Takes several people to pick up those heavy cannons off the ground and into the truck.

Brave Alejo and Luiss pushing the Gattling gun.

 

Another idea: A motion control rig

It has gotten into my mind some elaborate filming shots that need special care because of it's complexity behind them.

During the Ancon scenes to be shot for the Alto del Alianza battle, there are a couple shots where thousands of soldiers are shown in one single single pass. I will be having extras in the vicinity of 500. Even though that amount will look huge onscreen, the vast landscape of a few kilometers around will lend itself for massive soldier fights and movements. The Alto del Alianza battle gathered around 20,000 soldiers on both sides but I don't have that many extras. That's where crow duplication comes in handy.

Many scenes where crowd duplication is used on many movies are done with the camera standing locked on the tripod and the extras being filmed many times over but in different places onscreen and blended together in post-production. It works fine though, but sometimes that way of doing it somehow gives away the effect of duplication. If the camera were to be moving, then...it would sell gorgeously right and look even more realistic. That's the type of shot I'd like to do but it has its challenges. Enter the motion control rig.

Was looking at some old Star Wars behind-the-scenes footage done back in the 70's where Lucas and his ILM team were pushing the boundaries of what has been done before and they used much of the first prototypes of motion control rigs operated by computers to mimic and repeat precise camera moves in all angles without any spatial or angular error. You simply "recorded" the move in the computer memory and the camera could repeat the same move as many times as one would want to. Of course, those machines looked like huge refrigerators and used 1970's technology. But it worked perfectly well for all special effect scenes using miniature models and people.

I figured after watching some videos online that being in 2012 now, the technology behind it isn't that new anymore and it has developed. Nowadays motion control rigs are more defined and precise than ever, but still...I think it's doable....and here in Peru.

Being a mechanic arm controlled by electronics, the people behind it should be Mechatronics by profession, so, after some research and doing a few phone calls, went to our much respected UNI (National Engineering University) to look for alumni that study that career and propose the challenge of building one for me. Visited some areas where they gather some bigger equipment that do similar jobs but for more industrial type of work, but the essence is the same and only the use is what differs. Explaining and showing them videos of how I want it to be, what I want it to do and the smoothness it needs in order to get useful footage and be mathematically precise in every repetition was the norm and they seemed to be up for the challenge. The conversation run quite smooth and I guess we understood each other. I know it hasn't been done before here as they said, but it is a task they are willing to work on.

Will take a few weeks to build and test in order to have it in time for those battle scenes.

I'm praying those guys do it right and if it works....it is not only a pioneering step but a quantum leap in pushing the boundaries I though we would be facing to do this film as envisioned.

I'm very thrilled :)

An industrial mechanical arm as inspiration.

Software-run and for bigger jobs. Similar as motion control rigs.

I'd like it to rise about 5 meters (16.4 ft) high.

How a commercial one looks like in the desert.

A commercial one. Perhaps it will look similar to mine.